Pat's Music

My homage to various musical groups
and projects that I've worked on since 1976


Video Toaster (Amiga) processed realtime image of my
guitar at the Amiga Fest June 17, 1989

The following pages describe my "musical biography". I've decided to write down some of my thoughts about various musical groups and projects that I've worked on, as well as archive lots of the material that I have around the house.

I've had so many incredible musical experiences since 1976. I've played in a lot of different types of musical groups...country rock (Genoa), prog rock (Helix), satire rock (Weird Al), a working club band (WHSPR), a great acoustic duo (Syberia), a Jazz Big Band where I learned arranging (Cal Poly Jazz Band), several free jazz ensembles (Haight Ashbury Free Band, alt.music.out), a sax and guitar ballad duo (David and Pat) and I wrote and arranged for a Trio at my wedding (Wedding Trio). I've also been able to tie my career back into my musical interest. I was a researcher at CCRMA Stanford and I co-founded a music technology startup company (Staccato).

Why did I put together these pages? ... for me..., ...for my friends to read..., ...for old friends to find..., ...for my daughter to read someday..., ...and for something to look at on rainy days after they haul me off to the retirement home ;-)

- Gregory Pat Scandalis (pat@scandalis.com)


Written by Gregory Pat Scandalis June 2002 - March 2003 Most of the images came from my scrap books or from slides. Images were scanned during November/December 2002. Tom Bringle, Tim Parkhurst and Leslie Ridgeway provided a few of the images. Most of the Haight Ashbury Free Band images were taken as video captures from Nick Porcaro's video tape collection. Some images were scanned from slides using a home build slide copier and a Canon Proshot 90IS digital camera. All images were corrected in Photoshop.

 

Contents


Selected Recordings


Recording
Length
Year/Location of Recording
Group/Project
Original Artist
Notes
Talk Box (from "Show me the Way")
0:14

Nov 20, 1976
Mission Plaza, San Luis Obispo

Peter Frampton
Early recording of the second Talk Box that I build in 1976.
Funky Frisbee
2:33
Dec 1976
My bedroom at my parents house in San Luis Obispo
Tom Bringle,
Pat Scandalis
Fun funk like song, no drums, pre-synth, lots of wah and talkbox. See the story of how we recording this in my bedroom using 2 cassette decks.
I'm In Love
3:52
Dec 1976
My bedroom at my parents house in San Luis Obispo
Tom Bringle,
Pat Scandalis
Calypso. The title "I'm in Love" is us teasing Greg Asbury the drummer in Genoa. Greg being the proper surfer dude that he was, used to say "I'm in Love" when he saw an attractive woman. We used my parents pots and pans for steel drums.
WOW Dance Intro
0:59
Sept 1980
Cal Poly Gym, San Luis Obispo
Tim Parkhurst,
Pat Scandalis
Cool live intro that Tim Parkhurst and I brewed up. Tim is playing an ARP 2600 modular synth and Drums. I'm playing guitar with my amp overheating.
Renegade Solo
0:51
Sept 1980
Cal Poly Gym, San Luis Obispo
Styx
Me soloing. My amp never sounded better than during this solo. Moments after I finished, my amp was smoking and all 4 tubes were fried!
Trouble Child
3:23
July 1981
Mission Plaza, San Luis Obispo
Joni Mitchell
I integrated Tom Scott's sax arrangement into my acoustic guitar part.
Here Song
1:37
July 4, 1981
Mission Plaza, San Luis Obispo
Heart
Nice little song, nice chords.
Lover Arrive
3:08
July 4, 1981
Mission Plaza, San Luis Obispo
Ambrosia
We also played this song at Chuck Whitaker's wedding.
Just A Bird
5:24
July 4, 1981
Mission Plaza, San Luis Obispo
Leslie Ridgeway, Pat Scandalis
Written by us. I'm using an alternative tuning, interesting rhythms and time signatures. This was written before I heard the first Michael Hedges Album.
Mistral Wind
4:41
July 4, 1981
Mission Plaza, San Luis Obispo
Heart
Love this song. The original is for big guitars. I liked that we had adapted it for acoustic guitar.
Morning Song
0:26
July 4, 1981
Mission Plaza, San Luis Obispo
Pat Scandalis
Small segment of a classical guitar piece that I started writing in 1979. The full piece is on my list of things to record in the next year or so.
Night by Night
2:10
May 1981
Jazz Band Rehearsal Room, Cal Poly San Luis Obispo
Steely Dan
Arrangement that I did for the Cal Poly Jazz Band. There was an interesting dynamic happening in the jazz band that you can hear reflected in the recording. The Brass section was mostly Natural Resources Management majors, and they were pretty granola, and laid back. They tended to be all over the place when playing a new piece of music. The Sax section was mostly Business majors, and they were pretty driven students. They tended to be really tight when they played a new piece of music. In this recording the brass section misses a few notes (really noticeable), and the sax section is totally tight. I'm not playing on this since I was the "arranger".
Take Five
15:35
June 18, 1988
Anarchist Coffee House
Dave Brubeck
I think that this is the moment when the Haight Ashbury Free Band veered into out music. It starts and ends politely but the middle is wonderfully chaotic. I'm playing guitar, and the bass at the end.
Feed-In Gig
-

March 13, 1988
Marx Meadows Golden Gate Park, San Francisco

Various
This is Nick Porcaro's Website where he has placed all the recordings that I restored from the Mark Meadows Feed-In gig.
Sea Journey
3:54
Spring 1990
My living room in Mountain View
Chick Corea
This is a Chick Corea Tune (AKA "Song for Sally"). This was the first multi track experiment that Tim Parkhurst and I did. I'm playing 3 tracks of guitar, and Tim is playing a cardboard box using brushes.
3-D Kung Fu Zombie Queens from Mars
1:05
Spring 1990
My living room in Mountain View
Tim Parkhurst, Pat Scandalis
We had access to an early sampler (Casio FZ-1) Tim made some really nice PVC pipe samples. We also used some lo-fi samples snagged from a Fairlight CMI.
VOT Redux (DJ Mix!)
1:44
Remixed Dec 2002
Tim Parkhurst, Pat Scandalis
My fun remix of material snagged from the VOT 1.0 recording sessions.
Wonderment in Eb
11:21
July 20, 1995
Frost Amphitheater Stanford University
Nick Porcaro, David Rhoades

This is a piece that Nick and David wrote for alt.music.out. Its WAAYY out (think Miles Davis, "Bitches Brew").

Try not to listen to it as music, but as a collection of events and timbres. It actually had a score for us to read. We we looking for ways to use the Physical Models that we developed at Stanford. Most electric guitar that you hear in this is really a NeXT computer running a physical model of an electric guitar in SynthBuilder. (See this and this also this).

There were also piano models, and weird reverb models. I think that the sitar is my electric sitar. I think that we had 3-4 NeXT Machines on stage to do all the processing.

I had a Steinberger guitar with a hex pickup driving a Roland MIDI controller plugged into the MIDI interface on a NeXT machine plugged into my amp. It was a real guitar controlling a NeXT machine to play a simulation (Physical Model) of a guitar. I also used my Dan Electro Corral Sitar for about "32 bars".

Breaking Waves
2:15

Oct 17, 1998

Pat Scandalis
This is the processional that I wrote for my wedding. Its scored for Guitar, Flute and Euphonium. This is a MP3 rendered from a MIDI file using the cheezy synth on my sound card.
Little Pebbles
1:07
Oct 1998
Pat Scandalis
This is the recessional that I wrote for my wedding. Its scored for Guitar, Flute and Euphonium. This is a MP3 rendered from a MIDI file using the cheezy synth on my sound card.
Waveguide and Coupled Mode Synthesis Models
-
Spring 1997
CCRMA Stanford University
Sound Demos
These are recordings of various synthesized physical models that I worked on.


 

Revision History

02/28/2003 (gps) Began pulling together all the pages from different musical groups


 

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